Among the heroes and innovators of 70s spiritual/progressive/funk/jazz, Doug Carn has always flown a little under the radar. He has long plied his trade with patience and dedication, releasing absolutely stunning albums that are cherished by cognoscenti but lesser known even to the jazz mainstream, even as his influence can be detected among his colleagues.

Emerging out of Florida at the end of the ‘60s he made his debut on record as perhaps the key member of the Black Jazz roster, releasing four albums for the label between 1971-75 that stand as all-time classics of Black Consciousness expressed through jazz. A key aspect of the success was the haunting and powerful vocal contributions of his then-wife Jean Carn, whose five-octave vocal range made for memorable renditions of classics like “Peace” (Horace Silver), “Little B’s Poem” (Bobby Hutcherson), “Blue And Green” (Miles Davis) and Doug’s own “Power And Glory.”

Carn’s own luminous work on acoustic and electric piano on all these albums placed him firmly in the realm of contemporaries like Lonnie Liston Smith, Herbie Hancock and George Duke. His albums were elevated even further by the exquisite sideman work of a number of luminaries including Olu Dara (aka Nas Sr.), Charles Tolliver, Alphonse Mouzon and legendary Cannonball Adderley bassist Walter Booker.

Following this classic era, Doug and Jean continued to chart their own paths separately, Jean as a solo R&B star with a number of successful albums and singles for Philadelphia International Records and Doug as the same brilliant and creatively restless spiritual-jazz avatar he’s always been. Happily, for the last decade Doug and Jean’s orbits have intersected anew, and they can often be found performing together once again.

Carn's newest project, his entry in the Jazz Is Dead album series helmed by Adrian Younge and Ali Shaheed Muhammad, takes his unique and timeless art and places it within the context of a musical culture that has always taken cues from his ‘70s classics.